On `The Cable Project`

[…] If you hear low moaning and tortured shrieks coming from your neighbour this week, he or she might be an artist going through cable TV withdrawal (among other types).

This time last year, multimedia artist Timothy Comeau received a grant from the Ontario Arts Council to purchase cable services for eight artists for one year. The goal, Comeau says, was to see what the artists would make if they were suddenly given access to dozens of channels.

“I feel that we’re entitled to as much media/information as possible,” Comeau tells me.

“Cable TV is a library and gallery that media artists, due to their relative poverty, don’t have access to. Painters and sculptors can go to museums on free nights, but is there free access to music videos, commercials, or news programs? All are worth knowing about if your medium is video. But most artists simply can’t afford a cable TV subscription – so this project became an experiment with one person socialism.”

Performance artist and filmmaker Keith Cole used his time in front of the box to discover that he spends way too much time in front of the box.

“I will not miss having cable! I have wasted so much time – I’m happy to see it go. Although I loved it, I will not mourn it – kind of like this guy I stalked last year.”

Cole plans to make a dance piece and “a truly horrible painting” based on what he learned from reality television about successful stalking. He’s also come up with a starring vehicle for his acting career.

“What about a show with a drag queen /actress who is slightly washed up and overweight but whose career is suddenly revived … with the adorable Paul Gross as my on again/off again boyfriend who is from the wrong side of the tracks?”

Stay tuned.

RM Vaughan, ‘The Big PictureNational Post Sat. May 10 2005